Turkish Star Wars (The Man Who Saved the World)
Cüneyt Arkin | Aytekin Akkaya | Directed by Çetin Inanç | 1982 | 91 minutes
A blaster-hot mess of random edits, recycled musical cues from Raiders of the Lost Ark, and intellectual-property-be-damned scenes stolen directly from the original Star Wars, The Man Who Saved the World delivers a trampoline-jump laden delirium of “bad cinema” delights (depending upon your love of cinema cheese, or, if applicable, your level of intoxication).
After a rambling, nonsensical introduction–with repeated use of stock footage–detailing the destruction of Earth, our two Turkish heroes, Murat (Cüneyt Arkin) and Ali (Aytekin Akkaya), engage in a dogfight against a literal backdrop of projected scenes from Star Wars. Seemingly shot down (perhaps by Rebel fighters, Imperial fighters, or maybe even the Millennium Falcon), the pair instead find themselves on a vaguely Tatooine-like planet. An evil overlord called the the Magician takes responsibility for their teleportation, boasting of his immortal powers and detailing his plans to harness the power of their brains to take over the Earth–wait, wasn’t that already destroyed in the prologue?
Beyond a requisite cantina scene featuring some chop-socky action against actors wearing fur suits, the story eventually drifts away from the Star Wars source material. Murat and Ali jump and kick their way through a host of other rubber- and fur-suited enemies, but only after a long training session jumping and kicking boulders, some of which inexplicably explode upon impact. In a pocket of preserved ancient Earth religious artifacts, Murat discovers a tiny, discolored brain and magic sword (cardboard lightsaber, if you prefer) that grant him the power to ultimately defeat the Magician.
Preferring to melt down the sword into a powerful pair of bronze-colored gloves, Murat punches his way through another series of masked and suited enemies, frequently using his newfound powers to tear off their furry arms and use their severed limbs as fatal weapons. The fate of the Earth (will it be destroyed, again?) hangs in the balance as he finally confronts the Magician (who unfortunately never delivers the line, “Murat, I am your father.”), with scenes of the Death Star and random X-wing fighters projected in the background.
In the epilogue, Murat blasts off in the Millennium Falcon, perfectly summing up the nature of the human condition:
“There wouldn’t be humans without the World, and a World without humans…because humanity is the most important thing in the Universe.”