Cat’s Prey

catsprey

Cat’s Prey
Dorothy Eden | Ace Books | 1970 | 191 pages

Following the death of her globetrotting aunt, Laura, Antonia Webb travels to New Zealand to visit her newly engaged cousin, Simon, and his fiancé, Iris, and to facilitate what she believes to be a small inheritance. Iris was formerly Laura’s nurse and companion, and with Simon, has opened a new tourist hotel with the money they received from the estate.

Before she even has a chance to meet Dougal Conroy, the mild-mannered lawyer handling the will, Antonia receives a mysterious phone call requesting a secret meeting to discuss an important matter involving her aunt’s death. Stood up at the rendezvous, Antonia later discovers that her room has been searched in her absence. Odd occurrences continue after Laura arrives at her cousin’s hotel, when she notices strange lights in an abandoned wing of the building that has yet to be renovated.

Antonia is plagued by further incidents, including an “accidental” fall on the stairs. None of her concerns are taken very seriously, however, and Iris patronizingly suggests that Antonia’s mental state has been compromised by her long travel from England. Antonia also becomes concerned for Simon, a simple man who she fears will suffer at the hands of, what she perceives to be, his shrewd and calculating fiancé.

Johnnie, Simon’s favorite yellow budgie–who was probably doomed after his first endearing chirp of “pretty boy”–reflects Antonia’s position in the household, particularly after the arrival of Iris’s new white cat, Ptolemy. All the building psychological tensions between the human occupants of the hotel are released once Ptolemy breaches the wire barriers of the birdcage. [Sorry Johnnie, I was rooting for you!]

A few deviations elevate Cat’s Prey from the traditional inheritance thriller, including the passive roles of the major male characters. Unsurprisingly, Antonia falls for Dougal Conroy, the milquetoast lawyer, but instead of this new romantic lead coming to the eventual rescue, an unlikely triad emerges; Dougal’s elderly, shotgun-toting mother, her giggling maid, and his investigative-minded secretary form an all-female posse to save the day.

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