Night Gallery | Season 1, Episode 5


Night Gallery | Season One | Episode 5 | January 13, 1971

Segment One | Pamela’s Voice

Jonathan (John Astin) discovers that hell is certain other people, when the spirit of his murdered wife, Pamela (Phyllis Diller), returns from the dead to torment him. Continuing to suffer from the specter’s ceaseless nagging at the funeral home, his only hope of relief seems to be in finally burying her corpse. Although playing into the stereotype of the carping wife, Diller’s shrewish cackle—and arched, painted eyebrows–almost conjures a sense of sympathy for Astin’s homicidal husband, who discovers an unexpected difficulty in finding a moment of peace and quiet.






Segment Two | Lone Survivor

Picking up what they believe to be a single woman alone in a lifeboat, a ship’s crew discovers a man in women’s clothing, and a boat mysteriously emblazoned with the logo of the RMS Titanic. An effective early twist regarding the perceived time of the rescue is ultimately squandered in service to a familiar story of cyclical retribution. John Colicos plays the role of the survivor with sweaty desperation–and a powdered-blue nightdress.






Segment Three | The Doll

A British Colonel (John Williams) returning from service in India is confronted with a creepily malevolent (or maybe just grubby) doll, received via post by his young niece. Recognizing the doll as an agent of evil directed at him, the Colonel tries to convince the young girl to relinquish it–arguably, she should also have been persuaded to relinquish that satin blue ribbon in her hair. Pandit Chola (Henry Silva), the Indian mystic who devised the curse in retaliation for his brother’s execution as a resistance fighter, ultimately learns a lesson about karma from the doddering old imperialist.

Aside from a few more-silly-than-scary grimaces, the doll’s supernatural movements are left mostly to the imagination, helping to maintain the episode’s overall mood, and also proving the age-old axiom, “Never go full Chucky.”







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