Wait and See
Ruby Jean Jensen | Zebra Books | 1986 | 350 pages
Charlene Childress, pregnant with the child of her cousin Daniel after a summer romance on the family’s central California estate, devises an otherworldly escape from their troubles. Seducing him with one last intimate tryst, she tries to coax him into a double-suicide pact, placing his hand on the hilt of a knife she drives into her own chest. Shocked at Charlene’s plan and by her horrible death, Daniel hides her body in the river, chaining it to the underwater roots of an overhanging tree on the bank.
Twenty-six years later, Daniel’s life is in disarray. Seeking to escape from the reaches of his terrible past, he spends most of his time working on the road, becoming estranged from his new family; wife Ronna, step-daughter Kim, young son Kevin, daughter Sara, and infant son Ivan. Sending them to live with his Aunt Winifred on the family estate he has not visited since that tragic summer of 1959, he seeks to provide them with some vestige of stability, not knowing what evil waits for them at the Childress house.
Although Charlene’s body was never found, Winifred blames Daniel for her disappearance, suspecting him of murder. Playing the role of caring aunt, Winifred puts into place her long-gestating scheme to kill all of Daniel’s children as vengeance for his role in Charlene’s death. But a greater threat beyond a murderous family member stalks the estate, when Kevin and young neighbor boy go swimming in the river and discover Charlene’s body. Cutting the skeleton free from the chains that hold it under the submerged tree roots, it comes to life, embarking on its own crusade of vengeance against the Childress family.
Things get very stabby as the red-haired skeleton stalks and slashes from the cover of darkness around the farm. A few evocative locations help set the mood, including the murky waters surrounding the skeleton’s underwater prison, and an occult altar room discovered in the barn. The point of view periodically switches between Kim and Kevin, with a child’s perspective on the horrors helping to turn the potential absurdity of a walking skeleton into a creeping dread of something evil lurking in the shadows of the big house.
The story does stretch out considerable mileage from its child-in-danger themes, and does not shy away from terminating its young characters. Any empathy for Charlene’s supernatural rampage against those who have wronged her wanes considerably as the origin of her transformation becomes clear, and her pure evil heart is exposed.
A final lesson to parents and librarians alike—keep those copies of The Necronomicon under lock and key.