From Satan with Love

From Satan with Love
Virginia Coffman | Pinnacle Books | 1971 | 212 pages

The sixth book in the Lucifer Cover occult gothic series settles comfortably into a rote pattern established by the previous few outings: an attractive young newcomer arrives in the diabolical coastal-California spa town, falls under the sinister seductive charms of its enigmatic owner, battles to resist the the temptations of an easy hedonism, and finally struggles to escape with her very soul intact.

The newcomer in this volume is Maeva Wells, along with her young niece, Jenniver. The pair spend an enjoyable afternoon of family bonding hiking in the coastal foothills above Big Sur, until Jenniver falls down a cliff side and breaks her ankle. They end up in Lucifer Cove, a previously unknown spa town marked by sulfurous plumes and an inexplicably confusing tangle of local roads. While Jenniver recovers from her injuries in the town’s clinic, Maeva is welcomed into a luxurious suite in the resort, recently vacated by the tragic death of its former occupant.

An intended one-night stay turns into several, as Jenniver seems determined to isolate herself from Maeva and stay under the care of the clinic, watched over by the coolly detached Dr. Rossiter. Exposed to the decadent lifestyle offered by the spa, Maeva begins to indulge in her fantasies of attraction to its mysterious owner, Marc Meridon. Ultimately Maeva succumbs to the temptations, attending a Black Mass at Lucifer Cove’s temple and signing her name to an infernal pact, wishing “Let me be loved by Marc.”

Of course, all is not what it appears—or, to readers of the series, exactly what it appears. Familiar characters and locations feature in mostly empty call-backs from previous books. Nadine Janos, high-priestess of the temple (and the main focus of an earlier title), here simply wanders around the margins, stripped of any complexities or conflicts surrounding her role in Lucifer Cove. Although initially not much more than a brogue-speaking stereotype, Sean O’Flannery, her Irish boyfriend, occupies even less of a role now, serving as little more than a perfunctory helper for Maeva’s escape attempt. Even Kinkajou the cat, Marc’s shapeshifting alternate form, is reduced to watching Maeva through the window from her garden terrace. All of Lucifer Cove adds up to little more than a reflection of the main street’s false-Tudor store fronts.

If nothing else, Lucifer Cove stands as an artifact to a specific, bygone era of post-Summer of Love California history, when hippies, cults and communes crossed over into the popular culture, and celebrities dropped in to partake in the entertainment spectacle of an occult ritual. Or perhaps this historical recollection is an entirely false history, only appearing in the cultural imagination of the times—but still one never to be repeated.

A leisurely enjoyable–albeit incredibly slight–placeholder for the Lucifer Cove series (although a seventh book was never written), From Satan with Love fails to advance the ongoing battle between Marc Meridon and Dr. Rossiter, offering another throw-away outsider’s tale of her devilish encounter with the secretive, sulfur-shrouded California town.

Advertisements

Pandora

Pandora
Pamela Kaufman | Avon Books | 1977 | 279 pages

Private house in the country
Available immediately
To qualified person
House is part-payment for
Research job
For application contact
Box 666, Malibu, CA

Responding to a peculiar want ad, recently widowed young mother, Pandora Perdita Von Wald, accepts a position in Paradise, an isolated closely-knit community of wealthy eccentrics in a remote valley above Los Angeles. Berdine and Lyle Gemini, the mystically-inclined proprietors of an occult shop, offer to give her Ohplodu, a miniature Gothic castle built by Berdine’s late brother, Horace, a well-known artist and medieval scholar. In exchange, Pandora agrees to conduct research on Horace’s life and untimely death—but the Geminis may also have another agenda at work.

At Berdine’s suggestion, Pandora joins a small discussion group composed of the women of Paradise, who gather together to share their experiences and discuss issues relating to the liberation movement. The gatherings soon take a dark turn, however, as details of abuse and oppression surface. Cherry Delight, backwoods child bride of down-at-heel country singer, Clyde Boon, is first to describe her dysfunctional marriage, based on abuse and acknowledged philandering. Later, a seemingly drunken Clyde turns up at Pandora’s door, leering and making clumsy advances–before suddenly dying of mysterious causes.

Other meetings follow the same fatal pattern, as the derided husbands or lovers discussed by the group come to mysterious fates following the weekly gatherings. When poison is determined to be the common cause-of-death, news leaks of a purported “feminist killer” at large in Paradise. Adding to the potential victim count, Berdine reveals her suspicion that Horace was also murdered. In this atmosphere of danger and gender unease, Pandora somehow finds herself romantically attracted to Blake Nevius, dashing psychiatrist and not-so-secret lover of Carlotta Monroe, the regal major landowner in Paradise. Ultimately, Pandora must find the link between Horace and the current murders, and may also need to face her own dark secret relating to the suspicious nature of her husband’s death.

Pandora stews a heady, seventies-California Gothic mix of strange portraits, secret passages, covert agendas, numerology, ravens quoting Poe, and household help who are not-what-they-appear together into murder mystery framework. However, the yin and yang of male/female relationships lies at its core, with impotent men and their wildly unfulfilled partners leading to a denouement reducing the motivations to a swirling mother-surrogate, mother-destroyer psychobabble.

You said the stone of happiness, remember—which would be a father-lover. I want to adopt Allegra; a mother-lover, I love her mother; a lover-lover, Pandora?”

Pandora struggles to expose the murderer as wildfires blaze down the Southern California landscape—littered with Thrifty drugstores, feminist retreats, and homemade religious cults—in a depicted time and place that perhaps never-was, but will certainly never be again.

Chalet Diabolique | Lucifer Cove #5

Chalet Diabolique | Lucifer Cove #5
Virginia Coffman | Lancer Books | 1971 | 206 pages

The fifth book in the series reduces Lucifer Cove to a white-noise occult backdrop, a lost episode of an alternate television history Fantasy Island (featuring Mr. Roarke as the devil), with the arriving guests ultimately discovering the infernal mechanics under the surface.

Kay Aronson is the guest in this outing, arriving in Lucifer Cove following the mysterious death of her husband. Leo Aronson had set out alone to the secretive spa town on the coast of California south of San Francisco, only to be killed in a plane crash. Convinced that the fatal crash was not an accident, Kay investigates Leo’s connection to Lucifer Cove, determined to uncover the real reason behind his death.

Accompanied by her husband’s personal assistant, Arthur Dugald, Kay encounters characters from earlier entries in the series—High Priestess of the Devil’s Temple, Nadine Janos; beleaguered beauty, Caro Teague; the darkly magnetic spa owner, Marc Meridon; and his mistress, the empathetic Christine Deeth—mostly in incidental appearances. Unsure of whom to trust, Kay is surprised to discover her own romantic feelings developing toward both Arthur and Marc, forming the competing sides in an unlikely love triangle. She becomes more and more convinced that all is not as it seems behind the quiet Tudor facades of Lucifer Cove.

Since series readers are already aware of Marc Meridon’s diabolical nature, and his relationship to the seemingly omnipresent cat, Kinkajou, little opportunity exists to create much suspense, although there are some creepy shenanigans in the tunnels below Kay’s chalet house. After its initial underground discovery, the body of a former guest at the resort makes a second shocking appearance.

A brief, near fatal encounter with the power of hypnosis illustrates the ease at disposing with Kay and her investigation, and her general insignificance in the greater picture of Lucifer’s Cove makes the reluctance towards her disposal something of a question.

Also, a potentially eternal cosmic struggle boils down to a literal dog-and-cat fight.

Masque of Satan

masqueofsatan

Masque of Satan (Lucifer Cove Book Four)
Virginia Coffman | Lancer Books | 1971 | 192 pages

The one-sentence tag line for this fourth outing in the occult series perfectly boils down the story to such a degree that reading its entire page count seems entirely optional.

The story of MISS JEAN BENEDICT, who came to the Cove to save a soul—until the lure of its evil threatened her own…”

Young missionary Jean Benedict arrives at Lucifer Cover, the hedonistic spa and resort on the isolated California coast, at the request of Edna Shallert, a former member of Jean’s Disciples Revival. Jean’s determination to uncover the “inconceivable menace” mentioned in Edna’s letter for help is fortified when she discovers that Edna now belongs to the Devil’s Coven, a satanic temple high on the hillside above the resort. But before she has the opportunity to meet Edna, or confront Nadine Janos, the High Priestess of the coven, Jean discovers the body of Edna’s paramour hanging in her hotel room.

Comforted by Marc Meridon, the darkly attractive and mysterious spa owner, Jean finds herself more and more drawn to the many luxuries offered to the residents of Lucifer Cove. Justifying her extended stay at the spa as just another mission to convert lost souls, she begins to image herself as a possible romantic rival to Christine Deeth, Marc’s current love interest. Unusual noises outside her window at night, along with the scent of freshly turned earth, hint to Jean that greater mysteries are unfolding in Lucifer Cove.

Book Four of the Lucifer Cove series offers a rather straightforward tale of a naïve young girl coming to covert those tempted by the seductive offers of evil, but instead becoming the object of conversion herself. Previous readers of the series will already know what activities are taking place behind the false fronts of the Tudor-style houses lining the main street of Lucifer Cove, so any true sense of mystery is leeched from the proceedings. Returning characters, such as Nadine Janos and her Irish handyman, O’Flannery, aren’t given much of a role, and perceived villain Dr. Rossiter remains something of an enigma.

Interestingly, Jean’s ultimate battle against evil hinges not on her own unwavering goodness, or a careful plan of attack against any inherent weakness in her devilish adversary, but instead on a technicality in a seemingly binding legal document—begging the question, doesn’t Satan surely have better attorneys at his disposal?

Priestess of the Damned

priestessofthedamned

Priestess of the Damned
Virginia Coffman | Lancer Books | 1970 | 222 pages

A time capsule of the occult-drenched California of the early seventies (perhaps existing only in the geography of the imagination), Book Two of the Lucifer Cove gothic occult series, features a sympathetic satanic priestess as protagonist. That alone makes the book hard to imagine existing at any other time—particularly after the “satanic panic” of the eighties, which seemingly sought to unearth a conspiracy of devil-worshippers behind every conceivable societal ill.

Nadine Janos, High Priestess of the Devil’s Coven, holds periodic rituals in the Grecian-like temple above Lucifer Cove, an exclusive spa and resort on the remote coast south of San Francisco. A returning character from the first book in the series, The Devil’s Mistress, she is revealed to be something of an outsider in this outing, trying to maintain an aloof status as conduit to Satan among the residents of the small seaside community. Not truly a believer in the package of goods she peddles to her favor-seeking flock, Nadine employs a series of visual tricks and acid-laced ritual drinks to inspire a sense of awe in her powers—and solicit greater donations.

Along with her Irish handyman (and sometime romantic interest) assistant, Sean O’Flannery, Nadine caters to lumpy businessman Buddy Hemplemeier’s wish for stock market success, Edna Schallert’s lonely middle-aged plea for attention, and Sergei Illich’s need to be desirable to his young lover’s eyes with staged spectacles. However, alone one night at the temple, she feels a strange presence and witnesses an otherworldly manifestation, making her wonder about the authenticity of her powers.

Nadine, for the head of a coven of Satan worshippers, seems strangely out of step with the rampant hedonism at Lucifer Cove, where drugs and sex define the treatment as much as time spent in the spa or hot springs. She makes a point in not partaking in the frequent opportunities for personal pleasures, which includes ignoring (except for the aspirin) the engraved silver box filled with a variety of designer drugs issued to the residents. Lost in the labyrinthine corridors during a visit to the spa, she actually turns and runs away from the lascivious advances of two of the resort’s masseuses.

An underlying fear for her independence as High Priestess marks Nadine’s wariness surrounding the intentions of the mysterious resort owner, Marc Meridon, who approaches her with a favor regarding his mistress, Christine Deeth. Nadine also suspects a vague threat in the form of Dr. Erich Haupt, the German doctor (and Hitler look alike) from the spa’s clinic, who doubles as master of ceremonies for many of the resort’s Bacchanalian celebrations.

Although Nadine experiences some unexplained phenomenon in her temple, watches the club’s greasy gigolo die in mysterious circumstances, and discovers some evidence pointing to a celebrity body-snatching ring, Priestess of the Damned succeeds mainly as a character study. The threads of an overarching story are as elusive as the club’s resident cat, Kinkajou, and mainly serve to further the lingering question for future installments, “Who exactly is Marc Meridon and what really is going on at Lucifer Cove?

House on the Beach

houseonthebeach

House on the Beach
Eleanor Elford Cameron | Pocket Books | 1972 | 191 pages

Bearing no relation to the moonlit castle scene on the cover, House on the Beach instead may be generously classified as a California Gothic, with its young heroine potentially trapped in a dangerous web of murderous intrigue.

Walking back to her aunt Maggie’s home along the beach, young heiress Ivy McCall witnesses a suspicious scene at a neighbor’s beach house. Outlined by the light coming from the patio door, she sees a figure emerge from the house carrying what appears to be a heavy bundle of blankets. Seeming to scan the beachfront for observers, the man surreptitiously takes his misshapen cargo around the side of the house and disappears. Moments later, Ivy sees a white sports car drive off down the oceanfront highway. However, although she failed to see him clearly, she is convinced that the man turned his head in her direction and spotted her watching from behind a pile of driftwood.

Reflecting back upon the scene she just observed, Ivy considers the terrifying possibility that the blankets concealed a body—making the man she saw a possible murderer! As she continues her walk home along the highway, a white sports car suddenly appears from around a curve and accelerates, nearly hitting her and forcing her to jump from the roadside into a ditch full of brambles. The driver pulls her back up to the road to check on her condition, but unsure whether this is the same man from earlier on the beach, Ivy runs away in a panic.

Discussing the incident with Aunt Maggie, Ivy learns that—coincidentally—the beach house belongs to her college roommate Karen Kendall’s boyfriend David Rogers, and his older brother Curt. Karen, David, and Ivy’s beau from school Bill Gruber are coming to town to celebrate their upcoming graduation, and have plans to get together at the very beach house that Ivy fears may have been the scene of a recent murder. As Ivy struggles with what she has witnessed, and the related notion that someone in her close circle of friends may be involved, other events unfold that make her fear that her own life may be in danger.

Although key failures, such as Ivy not immediately reporting to the police when an attempt is made on her life, scuttle the overall suspension of disbelief, ultimately they are of little matter. The plot exists only to place Ivy in a position of romantic peril, with her attraction to Curt growing along with the evidence against him. The biggest question may not be “Who done it?” but whether or not Ivy leaves her marginally dull, Shakespeare-quoting boyfriend for the dangerously magnetic murder suspect.