The Dead Riders
Elliot O’Donnell | Paperback Library | 1967 | 224 pages
“PREFATORY NOTE: According to reports that appeared in the Press from time to time prior to the Second World War, efforts were being made to resuscitate Black Magic, with all its attendant evils, in various Continental countries, and in England. The War would seem to have had a curbing effect, but, unhappily, there are grounds for believing those efforts are being renewed with undiminished vigor. – The Author”
Globetrotting fortune hunter Burke Blake runs afoul of an ancient mystery cult in this throwback men’s adventure novel. Although originally written in the early fifties, the tone more closely resembles the thirties pulp adventures of Doc Savage, or the even earlier villainous escapades of Fu Manchu.
Blake signs on with a small expedition to the Gobi desert led by archaeological dilettante, Herbert Newsam, but his true motivation is to discover the fabled lost treasure of Genghis Khan. More modern notions of cultural relativism would certainly differentiate between “adventurer” and “plunderer. Some half-baked murder, political intrigue, and romantic liaison subplots stew around the much-delayed launch of the exploration party from Hong Kong. Echoing some of the oriental stereotypes of Sax Rohmer’s Fu Manchu series, the women Blake encounters are beautiful seductresses (with delicate hands), while the men are merely inscrutable.
Once underway, the expedition quickly falls apart along the desolate trails of the Gobi Desert. Odd narrative pacing problems abound, with Blake falling in with another small band of adventurers before being taken captive by a band of occultists. The Lovonans, followers of the wizard Shadna Rana, are the hereditary guardians of Ghenghis Khan’s treasure. Insisting that Burke and his fellow prisoners accept allegiance to their god, Dakoalach. The Lovonans attempt various tactics of seduction and torture to bend the will of their captives. After a daring escape—and nearly half-way into the novel—Blake is back in London and introduced to a whole new cast of characters.
An accidental meeting in the street with old school chum, Garnet Deane, leads Blake into a paid position as an investigator of the occult. Deane, now a stuffy member of Parliament, is convinced that the practice of Black Magic is resurgent in contemporary England, and he hires Burke to sniff it out. The occasional odd footnote in the text seems to imply a dubious true-life connection to allegedly increasing events of occult ritual. Although the long-reaching tendrils of the Lovonan cult abound in London, Blake spends less time investigating and more time becoming infatuated with Garnet’s three sisters.
Bouncing around various night spots and the Green Eagle Club, Blake’s romantic eye wanders in its consideration of the Deane sisters: the beautiful but coolly aloof eldest, Jean, the vivacious redheaded charmer, Lana, and the youthful good girl, Pat. They are all eventually revealed to be somehow involved in the machinations of the Lovonan cult, leaving Blake to sort out the messy details—and perhaps more importantly, whom to marry.
Ultimately, Blake seems more a smitten schoolboy than an effective investigator, leaving other parties to eventually confront the villain and save the day for England. Even after breaking into a “mystery mansion” and dressing up as a wax mannequin to observe an occult ritual, Blake discovers that another wax mannequin is also an investigator in disguise!
The Dead Riders do make an appearance [full disclosure: two appearances], but this whole disjointed serial affair could have been alternately titled, “The Supper Club Girls.”