Constance Rauch | Popular Library | 1976 | 253 pages
Leaving behind a series of failed jobs in the city, Sam Porter moves his wife, Jessica, and young daughter, Patience, into a charming old apartment in Wimbledon-on-Hudson. However, the family’s dream of a new life in the suburbs meets an unexpected obstacle in the form of Mrs. Falconer, the intrusive crone of a landlady living upstairs.
On the night of the family’s arrival, the small village is stunned by the shocking murder of Nora Kelly, a nearly retired accounting clerk at the offices of a company partially owned by Sam’s new employer. After his first day on the job, Sam returns to some of his bad habits, losing several hours over drinks at the local pub. Meanwhile, Jessica meets another young mother who warns her of the psychological games Mrs. Falconer has played on previous tenants.
Jessica herself finds that doting Mrs. Falconer’s superficial politeness occasionally gives way to apoplectic anger. Popping down to check on the young mother, the old woman rages at discovering nails pounded in the wall, and tears down one of the child’s drawings. The simple awareness of the landlady’s constant presence upstairs becomes a nagging source of unease for Jessica.
Already alarmed at discovering a previously unknown connecting stairway between the apartments, Jessica is horrified when Patience claims that a strange man entered her room at night and stole her doll. The formerly talkative and precocious two-year-old begins to exhibit signs of emotional regression, lapsing into a nearly complete silence. Fearing that Mrs. Falconer is behind the intrusion into her home, Jessica listens for the constant tap-tap-tap of the old woman’s cane on the floorboards upstairs.
Touted as “the greatest terror turn-on since Rosemary’s Baby and The Exorcist” on the cover, The Landlady delivers a treatise on Sam and Jessica’s failing marriage rather than terror. Jessica’s battles with Mrs. Falconer along with Sam’s seeming inability to hold a job (and sobriety) create an emotional strain that threatens to tear their family apart. Sam begins to spend more hours, and occasionally entire nights, at the office, shaking the foundation of their marriage—and leaving Jessica alone to face a series of strange events, culminating in a trip up the connecting staircase.
The creeping sense of intrusion into personal space, coupled with the background details surrounding the local murder, builds an atmosphere of dread around Jessica. However, the introduction of the evidence of child abuse completely sours the enjoyment of the mystery, adding an unnecessary and distasteful subtext to the horrors at Wimbledon-on-Hudson.
Although compromised by the implications of real-world abuses, the fundamentally terrifying question remains, “What’s going on next door?”