Sharon Combes | Zebra Books | 1980 | 282 pages
Caly St. John and her ex-boyfriend, Ian Donovan, flee the late-summer environs of New York City for the peace of rural Maine, only to have their lives threatened by a supernatural menace.
“My suggestion to you is that you leave.”
Staying with Ian at the cottage of his childhood friends, Caly becomes increasingly fascinated with the dark history of the Simpson house, an abandoned local home and infamous scene of dual shocking murder sprees. In the seventeenth century, Captain John Jacob Simpson killed and dismembered his family and gathered guests at a dinner party with an ax, before disappearing without a trace. Then again, in 1949, the captain’s descendant, Michael Simpson, returns home from abroad in England to restore the family home, only to murder his family and gathered friends with an ax, before mysteriously dying himself.
Frustrated by the reticence of the townspeople to discuss the cursed house, Caly succumbs to her growing curiosity and breaks into the Simpson house. She is startled by the arrival of Patrick Simpson, the last heir to the family, who has returned to investigate the circumstances of his father’s death, and lift the curse before it condemns him to his family fate. Empathizing with Patrick, a social pariah in the eyes of the villagers, Caly and Ian move into the Simpson house, where the unsettled spirits of those victims of the tragic past events seek an outlet for their lost voices.
The natural attraction Caly feels for Patrick becomes corrupted, as the spiritual entities in the house possess them and use their bodies to act out past violent encounters. Apart from sudden violent behavior, historical affectations in speech provide a reliable method of indicating a ghost is present.
“Thou shan’t turn me away this night, lady.”
Good-tempered dogs attack, furniture flies of its own accord, and spirit voices haunt the trio of ghost hunters as they stumble around the house and town looking for answers to the Simpson family curse. The intrepid investigators uncover very few clues of their own accord, relying mostly on following the direction provided by ghostly finger pointing. Ultimately, little detection is needed to unearth a standard trope behind generations of violent deaths: wrongly accused of witchcraft, a young woman is burned at the stake after vowing to take revenge upon the descendants of those responsible.
“Such vengeance I shall reap upon you and your seed to follow.”
A latent love triangle, which is somewhat unsettling already because one member is possessed by the spirit of a murdering rapist, comes to a surprising resolution—evoking a children’s song about forty whacks—but otherwise everything here feels inert and overly familiar.