The Witches of Windlake
Miriam Lynch | Popular Library | 1971 | 287 pages
After impulsively accepting a position as governess to the Louvayne family, the reclusive new occupants of long-abandoned Windlake mansion, Jennie Maxwell finds herself embroiled in an infernal battle-of-the-wills for possession of her young ward.
Jennie immediately falls for the romantic charms of darkly brooding Victor Louvayne, newly arrived from some vaguely defined Eastern European country along with his mother, Ottalie, and young son, Julian. Victor and his mother are reluctant to speak of the tragic death of Victor’s wife, Franzi, and become visibly shaken after hearing Jennie recount her recent tarot card reading. Beyond foretelling her great turn of fortune at the hands of a “dark man and woman,” the cards promise “three women and an unexpected arrival.”
Indeed, a trio of women does arrive unexpectedly at Windlake–or perhaps to the Louvaynes, not as unexpectedly as foretold. Like some gothic romance variation on Macbeth’s three weird sisters, Franzi’s mother, Josepha Hanar, and two sisters, Lenya and Ilse, descend upon the manor after chasing the Louvaynes across the Atlantic. Of course, they are also witches, immediately emasculating Victor and sending Ottalie into a resigned compliance. The Hanar women barely contain their scorn for Jennie, and openly challenge her for control over Julian.
Julian, a treacly darling smitten with Jennie, is also something of a petulant child, subject to uncontrollable temper tantrums and in need of complicated story-telling games to coerce his actions. Jennie alternates between convincing him to role play in these games and violently yanking his collar when apoplexy strikes. Perhaps Julian’s aggressively childish behavior should be forgiven, however, because….Satan.
Jennie herself pauses on occasion to reflect upon the inherent creepiness of her latent romance with Victor. Objectively, he seduces an employee who bears an uncanny resemblance to his late wife, dresses her in his late wife’s clothing, and sets her up in the role of replacement mother for his neglected child. Even after collapsing in the face of the Hanar danger and placing all hope in her to save Julian, he caressingly refers to her as “little Jennie” and promises to take charge of the family after they are married.
A New England blizzard helps contain the suspense, trapping all the players in Windlake for the witches’ nightly cycle of occult ritual followed by attempts on Jennie’s life. Disappointingly, Jennie’s supernatural potential hinted at by the tarot cards turns out to be…the power of prayer? After functioning as something of a missionary to Julian, the anger of the Hanar women boils into a rage that turns against all in the household.
Still, the reductive tale of a plucky young heroine engaged in battle with a trio of smug witches–and their vermin-like familiars–in a frozen New England mansion may be enough for a little seasonal gothic comfort.